It's too bad Dolman didn't fashion a smart movie--like the similarly themed but much subtler "Metroland"--that might have given each woman her due and admitted that maybe their lives went in the directions that suited them best. Instead, Lavinia learns to loosen up again and Suzette gets to settle down a bit--an outcome that's facile and obvious and says nothing trenchant or relevant about the hedonistic ideals of the 1960s confronting the conservative, grim realities of 21st-century America. Even the potentially subversive idea of history repeating itself--through Lavinia's oldest daughter, Hannah (Erika Christensen), who is rebelling by doing exactly what her mother used to do at her age--isn't mined for anything but easy laughs. Hawn, in a one-note performance, and Geoffrey Rush, annoyingly over the top as Harry, a failed, neurotic screenwriter Suzette picks up en route, don't help matters any. Only Sarandon shines: Her transition from a straight-laced mother to a down-and-dirty party girl is both funny and affecting. It's also the only genuine aspect of a movie that's as fake as they come. Starring Susan Sarandon, Goldie Hawn and Geoffrey Rush. Directed and written by Bob Dolman. Produced by Mark Johnson and Elizabeth Cantillon. Comedy/Drama. A Fox Searchlight release. Rated R for language, sexual content and some drug use. Running time: 97 min
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