Not quite unique enough to distinguish itself against other coming of age dramas


on November 12, 2009 by John P. McCarthy

A yearning-and-identity triangle featuring three kids at an affluent suburban high school is the stuff of Dare, a modest indie out of this year’s Sundance fest. Quite good in brief stretches but not distinguishable enough overall, freshman director Adam Salky’s picture evinces the coming of age confusion he’s chronicling. Sputtering yet respectable, it will form a blip on performance charts and will be remembered, if at all, as an early credit on the resumes of a few youngish—that is, far beyond teenage—talents.

Emmy Rossum limns virginal aspiring actress Alexa. Ashley Springer ( Teeth ) is her best friend Ben and Friday Night Lights ’ Zach Gilford plays sensitive jock Johnny Drake. Alexa and Johnny are scene partners in acting class ( A Streetcar Named Desire, no less) She’s frustrated by his Brando-esque nonchalance and he’s turned off by her goodie-two-shoes, kiss-ass ways.

Following a harsh and humorous tutorial from the school’s only grad to make it as a thespian (Alan Cumming, nailing it) and with the help of her more experienced frenemy, Courtney (Rooney Mara), Alexa reinvents herself as a hot vamp. During a party, she literally throws herself at Johnny and when they become an item, techie Ben, watching from his perch behind the theater lighting board, is jealous. In effect, he’s dared by his mother to act out on his same-sex longings and he targets none other than Johnny.

The sex scenes are an effectively discomfiting blend of ickiness and eroticism. On the one hand, we cringe as Alexa deflowers herself by straddling a startled Johnny and as Ben plucks up the courage to make a pass at Johnny in the latter’s indoor pool. On the other, the sequences evoke envy and tenderness toward the young adults as they grope toward self-awareness. (And lest we be too condescending, the teens do get what they’re after.) Hats off to Salky for hitting his targets. He misses, however, when it comes to pacing. The longeurs within virtually every scene in the movie are annoying. Once he realizes that not every pause is meaningful and starts to speed things up, he could become a filmmaker to reckon with.

His well-observed handling of conversations between Johnny and Ben’s mother (Ana Gasteyer) as well as an understatedly hilarious scene (hint: popcorn and a Ken Burns documentary anyone?) at Ben’s house, where Alexa is staying while her parents are out of town, also deserve favorable mention. Gilford and Mara—smoldering and electric screen presences, respectively—are the acting standouts. For her part, Rossum succeeds in making one forget Joel Schumacher’s Phantom of the Opera (in which, she played Christine).

The psychology underlying David Brind’s script is basic and the premise predictable, but they do give rise to the occasional dead-on mood and a sufficient sense that each character is more than a type. If the story were more fully developed, Dare could garner a following in, say, more edgy personal development curricula or in college towns amongst nostalgic first-years. As it is, the ending is terribly abrupt and less than edifying.

Distributor: Image Entertainment
Cast: Emmy Rossum, Ashley Springer Zach Gilford, Rooney Mara, Ana Gasteyer, Alan Cumming and Sandra Bernhard
Director: Adam Salky
Screenwriter: David Brind
Producers: Mary Jane Skalski and Jason Orans
Genre: Drama
Rating: R for sexual content, language and alcohol use - all involving teens.
Running time: 90 min.
Release date: November 13 NY/LA

Tags: Emmy Rossum, Ashley Springer Zach Gilford, Rooney Mara, Ana Gasteyer, Alan Cumming, Sandra Bernhard, Adam Salky, Image Entertainment, Drama, David Brind, Mary Jane Skalski, Jason Orans, coming of age, teen angst, love triangle

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